Новый шаг за шагом Карта для asparagusproject leana mask - careless whisper

Новый шаг за шагом Карта для asparagusproject leana mask - careless whisper

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As the band felt they had "screwed up" the video, further footage of Michael singing the song onstage was later shot at the Lyceum Theatre, London.

"I know it sounds really weird and a kind of romantic thing to say, but I remember exactly where it happened, where I was sitting on the bus, how I continued and everything.

Jerry Wexler did one recording of "Careless Whisper" with me. Then we re-mixed that, which meant re-shooting the video and then we completely re-did the track about four weeks before it was due to be released. When we originally made it I was totally in awe of Jerry Wexler and it was the first time that I had ever felt like that about anybody that I'd worked with. Usually I have trouble convincing myself that people know what they're doing. In this case I had to get drunk in order to sing, I was so nervous. Anyway, my publisher [Dick Leahy] and I had loads of discussions about whether the record was good enough for the song and whether there was enough of me in it because it just did not sound like me.

George Michael had just arrived at the studio and said 'that’s the one, that’s the sax solo I want'. This could be down to that whole 80s synth concept where sounds became increasingly 'manufactured', or just that George never recognized it was 'wrong'."

It had just started to cool off a bit when I discovered that the blonde girl from Queensway had moved in just around the corner from my school. She had moved in right next to where I used to stand and wait for my next-door neighbour, who used to give me a lift home from school. And one day I saw her walk down the path next to me and I thought – now where did SHE come from?

"Then he moved away and I continued writing it in my head. I wrote it totally in my head. I worked on it for about three months in my head."

"But I started another relationship with a girl called Alexis without finishing the one with Jane. It all got a bit complicated. Jane found out about her and got rid of me.

She didn't know it was me. It was a few years later and I looked a lot different. Then we played a school disco with the Executive and she saw me singing and decided she fancied me. By this time she was that much older and a big buxom thing – and eventually I started seeing her. She invited me in one day when I was waiting for my lift and I was... in heaven.[15]

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.. Then George decided he didn't like his hair so he flew his sister over from England to cut it and we had to reshoot more scenes."

By 84/85 George was almost embarrassed by the earlier material. He thought he was better than that & deserved better recognition. Meeting him in person, you'd think he owned any theatre he was playing at.

I said 'it's great. Jerry's done a great job on it', and for the first time since we'd started I was blind to what was going on because the song was already two and a half years old and I just did not have a clue about where else I could take it. Eventually I just thought, 'sod this. I'm going to go in and do it as if it had never been done before with the musicians we normally use and see what happens.' The track was much better because I was relaxed and I think that our musicians did a much better job than the Muscle Shoals section.[29] After hiring and firing several other sax players, for which the BBC characterized as struggling to play all the notes with "the right amount of fluidity and still breathe,"[30] Michael eventually heard what he was looking for from Steve Gregory.[31]

I didn't have a proper note on my saxophone, I had what we call a fake fingering I had to do to play it. So it didn't really sound that smooth. It didn't sound that great. And so having been around for a while, having had a bit of experience, I suggested to him, I said, 'look, if you took it down by a semitone, a very small amount, I'd have all the proper notes on my horn and we could see how it sounds. So that's what he did, he sort of did his calculations and took it down a semitone, so I went out again and I played it in a lower key and when after I finished it I went back into the control room and he played it back and he put it back up to the proper speed, and as he was playing it back, George walked into the studio, and he said 'Oh, I think we got it!' Then he pointed at me and said, 'You are number 9!'"
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Explaining that after he stopped wearing glasses, he began getting invited to parties, he continued: "And the girl who didn't even see me when I was twelve invited me in.